'Round the world and home again.

THERE'S NO EARTHLY WAY OF KNOWING WHICH DIRECTION WE ARE GOING THERE'S NO KNOWING WHERE WE'RE ROWING OR WHICH WAY THE RIVER'S FLOWING IS IT RAINING IS IT SNOWING IS A HURRICANE A-BLOWING

Bleh!

NOT A SPECK OF LIGHT IS SHOWING SO THE DANGER MUST BE GROWING ARE THE FIRES OF HELL A GLOWING? IS THE GRISLY REAPER MOWING? YES! THE DANGER MUST BE GROWING FOR THE ROWERS KEEP ON ROWING AND THEY'RE CERTAINLY NOT SHOWING ANY SIGNS THAT THEY ARE SLOWING!



I'm a Jewelry Designer, as well as a Photographer. I travel quiet a lot, you can normally find me some where between Florida and Australia. I love a bit of everything. If you'd like to know more or have a question, shoot me an ask.


ianbrooks:

Lion Monument by Bertel Thorvaldsen

Also known as the Lion of Lucerne, this sculpture in Lucerne, Switzerland, commemorates the Swiss Guards who were massacred in 1792 during the French Revolution. Mark Twain praised the sculpture of a mortally-wounded lion as “the most mournful and moving piece of stone in the world” and Mark Twain knew what he was talking about, guys.

(via: reddit)

(via ventureneverlost)

asylum-art:

 Nishe Photography

Magdalena Lutek on Flickr

Nishe (aka Magdalena Lutek) is an up-and-coming Polish photographer who beautifully captures feminine, melancholic worlds only to the tune of film and instant film.

When hostess went under most people were worried about #twinkies, but my fear was the loss of the fruit pies. My great grandfather always had some in his fridge and as a young kid you remember the sweets the most. To this day biting into a lemon one brings me back to some amazing memories. I’m so glad #tastykake brought them back with the rest of the #hostess line up. #memories #justhadonesorryimreminiscing

zepsternerd:

Eriko Nakao

asylum-art:

Wayne Quilliam: Photography in context of Indigenous Australian culture

Series of Aboriginal artist Wayne Quilliam “Lowanna” (beautiful woman) transforms the concept of the body and the earth studying the psychological implications of the human habitat. Wayne’s work is rooted in sensitivity. He speaks of the connection and isolation, loss and discovery and tragic irony poorly designed

Wayne Quilliam is considered one of Australia’s most prominent Aboriginal photographic artists working on the global stage with more than 130 solo and group exhibitions in Australia, Europe, Asia and the USA. He has been awarded what is considered one of the most prestigious Australian art accolades, the 2009 NAIDOC (National Aboriginal and Islander Day Observance Committee) Artist of the Year. In 2008 he won the Human Rights Award for his work on the Apology with the Koori Mail and was a finalist in the prestigious Walkley Awards for a social documentary on the block in Redfern, Sydney.

Starting from 10th January 2010 the art place berlin in the Park Inn Berlin-Alexanderplatz will present the large-sized photographies of the Lowanna series. The works will be shown in the context of paintings by protagonists of Australia’s indigenous art, among others Kudditji Kngwarreye and Jeannie Long Petyarre.

(via asylum-art)

levisteam:

One of my favorite models, Pigeon Foo
Model: PigeonFoo
Photography/Make up: Hollow2.5 http://h-o-l-l-o-w-2-5.tumblr.com
Jewelry: Leviathan Steamworks

(via pigeonfoo)